The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script |  | Author: David Trottier Publisher: Silman-James Press
List Price: $22.95 Buy New: $14.83 as of 11/21/2009 18:47 CST details You Save: $8.12 (35%)
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Seller: ---superbookdeals Rating: 127 reviews Sales Rank: 6716
Media: Paperback Edition: 4 Updated Pages: 386 Number Of Items: 1 Shipping Weight (lbs): 2 Dimensions (in): 10.9 x 8.5 x 1
ISBN: 1879505843 Dewey Decimal Number: 808.23 EAN: 9781879505841 ASIN: 1879505843
Publication Date: August 20, 2005 Availability: Usually ships in 1-2 business days
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Amazon.com Review How does a spec script differ from a shooting script? What kind of fasteners should one use to bind a script? How did the term MOS come to mean without sound? You'll find the answers to these pressing questions and much more in David Trottier's eminently usable Screenwriter's Bible. The avuncular Trottier--a writer-producer, script consultant, and seminar leader--has written a friendly guide through the Hollywood morass. He touts it as six books in one: it's "a screenwriting primer, a screenwriting workbook, a formatting guide, a spec writing guide, a sales and marketing guide, [and] a resource guide." Much of Trottier's advice is common sense: "Don't write anything that cannot appear on the screen"; to keep casting options open, don't make your physical descriptions too specific; "don't say Ron Howard is looking at the project if he is not." But there are things to know about Hollywood that are, well, quirkier. Don't write the title of your script on the front cover or side binding; present action sequences using the "stacking action" style; in query letters and scripts alike, avoid "big blocks of black ink." Trottier's guidance--from character development and revision to queries and pitches--is invaluable. Getting in the door can seem impossible, but it's not, necessarily. "If you write a script that features a character who has a clear and specific goal," says Trottier, "where there is strong opposition to that goal leading to a crisis and an emotionally satisfying ending, your script will automatically find itself in the upper five percent." (By the way, MOS is said to have "originated with German director Eric von Stroheim, who would tell his crew, 'Ve'll shoot dis mid out sound'"). --Jane Steinberg
Product Description This is six books in one. Book 1 - A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 - A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 - A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 - A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 - A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 - A resource guide that provides addresses and contacts for industry organisations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals.
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Showing reviews 1-5 of 127
A beginner's dream November 8, 2009 Sara (Vancouver, BC) Thank you for this book. Your encouragement is felt on every page. Far beyond the basic how-to's, this book is a must-have for anyone who has a screenplay idea come wandering into their mind.
An insult to a creative mind November 7, 2009 Jay (USA) 0 out of 2 found this review helpful
Do this but don't do that. What a lot of nonsense.
It would be more beneficial to read Aristotle's Poetics and to focus on
writing an excellent story, than to become narrow minded and learn how to
space your lines, format the pages and adhere to the cliché `more is less,'
which tells you, that oxymoron's or contradictions are acceptable. In other
words, this book is full of rules for the sake of rules. Precisely what a creative
mind should avoid.
This book reminds me of the rules formed by the conventions of Europe
to preserve certain standards during the classicism period. For example,
no handkerchiefs were permitted on stage, or a woman of nobility was not to
allow a defamed man into her room. The rules were arbitrary and they were
loosely based on Aristotle's Poetics. Corneille had rejected the rules to produce
one of the greatest plays. The play is El Cid.
The Screenwriter's bible is pedantic. Avoid it at all costs. If you want to create great stories,
read the great playwrights, Schiller, Corneille, Sophocles, study literature. Garbage
presented in a professional manner is still garbage. Learn how to write a great story
and the story shall sell itself.
Great Book October 2, 2009 Linda Krogh (Norfolk, VA USA) I got the book a few weeks late, and I could not find any record on Amazon about my purchase. But, the book arrived well packaged and in very good shape. And it was a decent price.
This book has everything! August 27, 2009 R. Fuller (Carol Stream, IL USA) 0 out of 1 found this review helpful
This book covers everything you want to know about screenwriting. It is written in simple language and if you follow the steps and checkpoints carefully, you will end up with a well written script. Read this book first!
Outstanding screenwriting book July 28, 2009 S. Engle 0 out of 1 found this review helpful
Excellent book about screenwriting- everything was covered in detail; the organization of the book made it easy to read
Showing reviews 1-5 of 127
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