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A New Literary History of America (Harvard University Press Reference Library)

A New Literary History of America (Harvard University Press Reference Library)Creators: Greil Marcus, Werner Sollors
Publisher: Belknap Press of Harvard University Press

List Price: $49.95
Buy New: $32.96
as of 11/21/2009 03:23 CST details
You Save: $16.99 (34%)



New (35) Used (7) Collectible (1) from $27.95

Seller: pbshopus
Rating: 3.5 out of 5 stars 8 reviews
Sales Rank: 2863

Media: Hardcover
Pages: 1128
Number Of Items: 1
Shipping Weight (lbs): 3.9
Dimensions (in): 10.2 x 6.9 x 1.9

ISBN: 0674035941
Dewey Decimal Number: 810.9
EAN: 9780674035942
ASIN: 0674035941

Publication Date: September 23, 2009
Availability: Usually ships in 1-2 business days

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Editorial Reviews:

Product Description

America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history.

In more than two hundred original essays, A New Literary History of America brings together the nation’s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what “Made in America” means. Literature, music, film, art, history, science, philosophy, political rhetoric—cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.

The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood’s American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.

Please visit www.newliteraryhistory.com for more information.

(20090926)



Customer Reviews:
Showing reviews 1-5 of 8



5 out of 5 stars book   October 22, 2009
Laurel Asselin
2 out of 10 found this review helpful

This was a gift to my son who reads every night before he goes to sleep. He really likes this one.


1 out of 5 stars Disappointing   October 13, 2009
Calochortus (San Luis Obispo, CA)
12 out of 21 found this review helpful

This book sounded interesting, and indeed there are a half dozen essays I enjoyed. However most were quagmires of impenetrability, superficiality and hyperbole. I got a smug, self-satisfied feeling from reading this, and a claustrophobic sense as well. I regret having gotten it.


5 out of 5 stars Truly enjoyable   October 12, 2009
Cornelius (Michigan)
4 out of 11 found this review helpful

Deep, broad, and wide.
A fascinating sampling of the intersection of America's literature and history.
It may be open to academic criticism -- what isn't? -- but for those of us pursuing livelihoods off-campus, it is an intelligent, stimulating overview of many, many aspects of our culture and our past.



2 out of 5 stars Quirky and Uneven   October 3, 2009
Academic
39 out of 43 found this review helpful

A disappointing collection--quirky, self-indulgent, uneven. It is hard to imagine what kind of reader would benefit from reading this volume. Most of the essays are little more than primers on their writers or events (Farah Griffin on Morrison, Greil Marcus on Powers). Many are written by scholars rehashing in capsule form what they or others have presented more richly elsewhere--a quickie on imperialism, anyone? Some are by writers using the author or event as a springboard for meditations ranging from the trite to the clever--Hawthorne is a flimsy pretext for Mukherjee to rehearse, for the umpteenth time, her Bengali Brahmin pedigree and her revolutionary defiance in marrying a white man. Some are from unknown and mediocre scholars writing about areas from which the major scholars have been mysteriously omitted--were the editors really so clueless about these fields, or did they just subcontract these fields to friends and former graduate students?
There are a couple of fine pieces--Walter Mosley on detective fiction , Ishmael Reed on Huck Finn, the essay on Linda Lovelace--but these are too few to make this a worthwhile purchase. If an anthology with over 200 pieces turns up only a handful of standouts, its claims as a "reference" book are overblown. For scholars looking at this volume as a reference, individual pieces would need to be evaluated carefully, since several are written by people who are not experts in the field.



1 out of 5 stars Ivy League Hubris   October 3, 2009
A Reader
31 out of 49 found this review helpful

There is little match between the hype this book has generated and its contents. Let's start with the title. New? What in here is new?--not the content, insights, or approaches. What in here is literary history?--whatever is literary history is familiar, whatever is not is cultural history too scared to call itself that. So if it's not a new literary history, what is it? It's a project of epic hubris and minor accomplishment. It does, however, have the imprimatur of Harvard, multiple newspaper reviews, and a high-gloss release that will convince many readers that they have the hottest takes on Americana from the 1500s to the present. If you buy that, then $50 is quite a bang for the book!

A current of feel-good interracialism runs through this volume rising to a crescendo at the end with the election of Obama. But the volume could just as well be The Marcus-Sollors Cultural History in Black and White. The contributions on Latinos, Native Americans, and Asian Americans are thin and noticeably weak. No major scholars in these areas are contributors--not surprising given the composition of the editorial broad and the editors of this project. The collection is heavily dominated by contributors from the Ivies with a smattering of West Coast scholars and artists. This, indeed, may be what the book really has to offer--cocktail party multiculturalism served up by the Harvard boys.


Showing reviews 1-5 of 8





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