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What is Scenography? (Theatre Concepts)

What is Scenography? (Theatre Concepts)Author: Pamela Howard
Publisher: Routledge

List Price: $39.95
Buy New: $32.25
as of 11/22/2009 01:10 CST details
You Save: $7.70 (19%)



New (19) Used (10) from $32.25

Seller: pbshop
Rating: 4.0 out of 5 stars 3 reviews
Sales Rank: 782887

Media: Paperback
Edition: 2
Pages: 238
Number Of Items: 1
Shipping Weight (lbs): 1.2
Dimensions (in): 9.6 x 6.8 x 0.6

ISBN: 0415473209
Dewey Decimal Number: 792.025
EAN: 9780415473200
ASIN: 0415473209

Publication Date: September 8, 2009
Availability: Usually ships in 1-2 business days

Features:
  • ISBN13: 9780415473200
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.
  • Click here to view our Condition Guide and Shipping Prices

Also Available In:

  • Hardcover - What Is Scenography?
  • Hardcover - What is Scenography? (Theatre Concepts Series)
  • Paperback - What is Scenography? (Theatre Concepts) (Theatre Production Studies)
  • Kindle Edition - What is Scenography?, Second Edition
  • Kindle Edition - What is Scenography?
  • Hardcover - What is Scenography? (Theatre Concepts)

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Editorial Reviews:

Product Description



Pamela Howard's What is Scenography? has become a classic text in contemporary theatre design and performance practice. In this second edition, the author expands on her holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century. The book includes:





  • case studies and anecdotes from Howard's own celebrated career





  • illustrations of her own recent work, in full colour throughout





  • an updated 'world view' of scenography, with definitions from the world's most famous and influential scenographers



A direct and personal response to the question of how to define scenography by one of the world's leading practitioners, What is Scenography? continues to shape the work of visual theatremakers throughout the world.




Customer Reviews:
5 out of 5 stars What Is Scenography?   June 15, 2003
Tom Markus (Salt Lake City, Utah United States)
2 out of 2 found this review helpful

An exciting and stimulating book that will make every serious theatre artist think, and think hard. This book will be used as a teaching tool in advanced courses and should be welcomed as a touchstone for discussions amongst serious directors and designers. Maybe it's not at quite the same level as The Dramatic Imagination or The Empty Space, but it's surely in the same category of seminal works that will exert a positive influence for years to come. I can't wait to use its insights and methodologies as I begin the creative process for my next production.


2 out of 5 stars Not so sure...   December 8, 2002
Jeffrey R H Rogers (Kalamazoo, Mi United States)
0 out of 3 found this review helpful

I have used the book only for research purposes, and I have to say, its scope is narrow and fails to credit the history of its subject. A book on scenography that contains only a cursory comment on Josef Svoboda seems a bit unsupported to me. As far as a very general look at the ideas of scenography it is mediocre at best. When defining an inherently undefinable term, it seems only appropriate to describe some the individuals which have coined the term, Howard fails to do this, and I feel the book suffers because of it.


5 out of 5 stars a brilliant and utterly fresh approach to theatre design   February 24, 2002
Robert Potter (Santa Barbara, California USA)
2 out of 2 found this review helpful

This book is an eye-opener, a brilliant and utterly fresh approach to the art of theatre design. Pamela Howard leads the reader through the revolution in stage visualization that has taken us from decoration and backdrop to the astonishing complexities (and, more important, the visionary minimalism)of theatre at its highest levels of achievement in the 20th century. I can think of no better introduction for a beginning designer to the limitless possibilities of her or his medium. And I believe even the most accomplished experts in the field will find original and provocative challenges to conventional wisdom here. Best of all, the book is written as an intensely-felt personal statement, based on wide world experience of working with the great theatre practitioners of our time. And it's written with a directness and clarity worthy of a great stage design.




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