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Norman Rockwell: Behind the Camera |  | Author: Ron Schick
Publisher: Little, Brown and Company
List Price: $40.00
Buy New: $20.00
as of 11/21/2009 19:14 CST details
You Save: $20.00 (50%)
New (28) Used (8) from $19.99
Seller: familytymesbooks
Rating:  6 reviews
Sales Rank: 747
Media: Hardcover
Edition: 1
Pages: 224
Number Of Items: 1
Shipping Weight (lbs): 2.8
Dimensions (in): 11.1 x 9.3 x 1
ISBN: 0316006939
Dewey Decimal Number: 759.13
EAN: 9780316006934
ASIN: 0316006939
Publication Date: October 22, 2009 (New: Last 30 Days)
Availability: Usually ships in 1-2 business days
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Product Description
Norman Rockwell: Behind the Camera is the first book to explore the meticulously composed and richly detailed photographs that Norman Rockwell used to create his famous artworks. Working alongside skilled photographers, Rockwell acted as director, carefully orchestrating models, selecting props, and choosing locations for the photographs--works of art in their own right--that served as the basis of his iconic images. Readers will be surprised to find that many of his most memorable characters-the girl at the mirror, the young couple on prom night, the family on vacation-were friends and neighbors who served as his amateur models. In this groundbreaking book, author and historian Ron Schick delves into the archive of nearly 20,000 photographs housed at the Norman Rockwell Museum. Featuring reproductions of Rockwell's black-and-white photographs and related full-color artworks, along with an incisive narrative and quotes from Rockwell models and family members, this book will intrigue anyone interested in photography, art, and Americana.
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| Customer Reviews:
Showing reviews 1-5 of 6
Behind the scenes November 19, 2009
Luanne Ollivier
Norman Rockwell is an American icon. His style is easily identifiable, but I had no idea of the processes he used to produce his paintings until I read Behind the Camera.
At first, Rockwell posed his ideas using live models and made preliminary sketches to paint from later. But this proved difficult, as it was hard for the models to hold the expressions that are a hallmark of his style. The next step - photography.
"Photography opened a door to the keenly observed realism that defines Norman Rockwell's art."
But Rockwell struggled with the idea of using photography as a tool to prepare for his painting. Indeed, he took criticism from some of his peers for this decision, but realized he could capture moments in time quickly and reproduce them at leisure.
Thankfully, those photographs have been kept in the Massachusetts Norman Rockwell Museum. This book was produced with those photographic archives.
It is utterly fascinating to see the finished painting on one side of the page and then view the photographs that he used to achieve the look he wanted. Rockwell always used everyday people. All of the props used in a picture/painting were authentic. Details were very important to him.
"I love to tell stories in pictures."
And his pictures do tell stories. The expressions and the details make his work fairly leap off the page. You have to explore every corner. Many times Rockwell painted himself in as an extra.
There are detailed descriptions accompanying every plate. The book itself progresses linearly, from his early work, though to his last completed work - a self portrait in 1976.
The book is beautiful, produced on heavy, glossy stock with hundreds of images. A wonderful coffee table book and one to share. I'm taking mine over when I visit my grandmother. I know she'll enjoy looking at remembered images.
Surprising Rockwell November 15, 2009
Book Addict (Midwest)
Norman Rockwell has become such an icon of American culture that people often overlook what a marvelous artist he is. He thoroughly researched his paintings, created many preliminary drawings and paintings, before the final painting was completed. Whether your like his brand of realism or not, you have to admire his giant talent.
This book focuses on the photographic images which Rockwell created in preparation for many of his paintings. Just comparing the original photos to the final paintings demonstrates that Rockwell was never a hack, only copying photographs, but was master storyteller and extraordinary artist.
This book sheds new light on a revered American painter, perhaps THE most exemplary American painter of his time.
Americana November 6, 2009
Sally (Odessa, FL)
Thank you to Hachette Book Group for my copy of this most impressive book. I've always loved Norman Rockwell; I own some of his prints, and I have even visited his museum in Vermont. (He has another museum in Connecticut.)
This heavy volume satisfies my curiosity to find out the background of many of Rockwell's paintings. Any lover of art, Americana, or history would be pleased to own a copy. What a terrific gift idea! My copy is going on top of my living room coffee table for easy access.
Nice insight into how the masterful painter works November 5, 2009
Parka (Singapore)
6 out of 6 found this review helpful
Watch Video Here: http://www.amazon.com/review/R2LCUB7FMPX0NG Norman Rockwell: Behind the Camera is a book that brings you behind the scenes to look at how the legendary artist uses photographs for his paintings. It's filled with paintings and the reference photographs from the Norman Rockwell Museum.
Apparently, Rockwell used live models for all of his work. Every model will be meticulously costumed and posed until he could get his perfect composition. Preparing the shot almost seems like an art form itself as he tirelessly puts in all the details required, sometimes to the extend of staging elaborate settings, like deciding the items to display on the table behind models. Every painting is well conceived and composed in his mind even before he lays paint on canvas. If you've read any biography of him, you won't be surprised by his dedication.
Included in this book is a great selection of his paintings and the photos he used, put side by side for comparison. The author Ron Schick has done a great job providing commentary to all the illustrations, through interviews with people who have worked with Rockwell. There's plenty of insight and a few lessons to be learned on posing models. You'll see what are the details Rockwell retains and those that he leaves out.
This is an inspiring book recommended to all admirers of Norman Rockwell's paintings, and to artists who want to learn more on using references from the master painter.
(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)
Norman Rockwell: Behind the Camera November 1, 2009
R. Lapus (Boston, MA)
4 out of 4 found this review helpful
This book provides an elaborate and captivating look into the creative process followed by one of the most truly American of artists.
A gifted storyteller, Norman Rockwell made use of photography to expand on a theme and create a realistic setting for his story illustrations. With "props bought, borrowed or rented", he constructed a scene that was detailed and natural, peopled by neighbors and friends. These scenes were authentic simply because the people were real. He portrayed American life with gusto and great fidelity.
Known as the "kid with the camera eye", the camera was the instrument used by Rockwell to serve as interface of the eye and the canvas, capturing the nuances and details of a scene which he later edited to reflect his own vision. Much like today's art director, he created a setting, cut and pasted some parts, then filled them with action and color to obtain the end-result he wanted.
These visual images Rockwell created with the help of the camera resonated with the ordinary American. With titles like: "Merry Christmas, Grandma... we came in our new Plymouth" (1951); "Maternity Waiting Room " (1946); "Leaving the Hospital" (1954) these domestic vignettes realistically conveyed the excitement, anxiety, and various emotions of people settling into family life after almost a decade of war and deprivation. The automobile, the newest symbol of prosperity, brought a new way of life and clearly captivated him and his audience.
Publisher: Little, Brown and Company; 1 edition (October 22, 2009)224 pages.
Review copy provided by the publisher.
Showing reviews 1-5 of 6
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