A Song in the Dark: The Birth of the Musical Film |  | Author: Richard Barrios Publisher: Oxford University Press, USA
List Price: $27.95 Buy New: $19.21 as of 11/25/2009 04:33 CST details You Save: $8.74 (31%)
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Seller: potterf Rating: 12 reviews Sales Rank: 548678
Media: Paperback Edition: 2 Pages: 504 Number Of Items: 1 Shipping Weight (lbs): 1.6 Dimensions (in): 9.1 x 6.2 x 1.1
ISBN: 0195377346 Dewey Decimal Number: 791.436 EAN: 9780195377347 ASIN: 0195377346
Publication Date: November 11, 2009 (New: Last 30 Days) Availability: Usually ships in 1-2 business days
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Product Description Drawing on meticulous research, sharp wit, and insightful analysis, Richard Barrios illuminates the origins of the movie musical in this extensively revised and updated edition of his highly acclaimed A Song in the Dark. From Warner Bros. and Jolson, to the Oscar-winning Broadway Melody and beyond, here is the whole funny and peculiar history of these films, their creators, and their audiences. Ranging from the smash hits of The Singing Fool and Sunny Side Up to bizarre flops like Golden Dawn and Cecil B. DeMille's Madam Satan, they form a body of work unlike anything else in the history of popular entertainment. Here too are legendary performers, directors, and composers: from Fannie Brice, James Cagney, and Mae West, to Busby Berkeley, George and Ira Gershwin, Richard Rodgers, Oscar Hammerstein, and countless others. With many new rare photographs, some not published in nearly 80 years, this new edition traces the rise and fall, and rise again, of this quintessential piece of the American experience.
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Showing reviews 1-5 of 12
Astounding February 18, 2009 Daniel Matz (Reading, PA) 1 out of 1 found this review helpful
Richard Barrios has written an incredible document of one of the least known eras of film history. In over 400 pages the author covers what is essentially a two year period (1929-1930). There is some info leading up to this and some taking us out, but the bulk of it is this unique period which many do not realize even existed. For film buffs longing to have the missing pieces filled in, reading this work is mandatory. Not only is this probably the greatest book on early sound films, it is one of the greatest film books period. Now if someone would write a book this massive on just 1928, my life would be complete.
Interesting and encyclopedic work on the early talkie musical April 30, 2007 calvinnme (Fredericksburg, Va) 2 out of 2 found this review helpful
I don't know of any other book that does such a thorough job covering the history of the American musical film from the years 1926-1934 as this book does. It starts out shattering the myth that Warner Brothers invested in the Vitaphone sound system because it was near bankruptcy. Instead, Sam Warner saw the potential for sound in films and literally dragged his brothers kicking and screaming to the sound revolution. The book talks about Warners' first experiments that led up to the first hit picture with sound - "The Jazz Singer", and the untimely death of Sam Warner one day before the film's New York City premiere. The surviving Warners saw the potential after the money started rolling in, but they didn't have Sam's vision of how to make a success out of talking pictures. Thus, Warner Bros. was literally a Vitaphone train without a conductor.
This starts the reader through a three year journey of all the major studios groping to see what does and doesn't work, their many flops, and their few artistic triumphs. What got the studios through the early days was the novelty of sound attracting audiences regardless of the quality of the film, and the author does a good job of being thorough without being dry. His descriptions of some of the early sound musicals, some of the strange decisions that were made, and the early technical obstacles and their solutions are outright hilarious. The author describes how all of the bad products and bad decisions eventually cause audiences to have had their fill of musicals by 1931. Then he describes how "42nd Street" revives the genre, the lessons that were learned, and how the musical was ultimately reborn as a popular artform.
You can read this book all the way through, but more than likely you'll have to read it more than once to get everything out of it since it is densely packed with information about individual films as well as overall trends. I highly recommend it if you are interested in the early talkie musical and its history.
Simply Wonderful March 3, 2004 Michael Samerdyke (Big Stone Gap, VA USA) 2 out of 2 found this review helpful
When I picked up "A Song in the Dark" I was curious to see how someone could make a book about pre-42nd Street musicals. Most histories of the Hollywood musical start with 42nd Street and consign the earlier films to a dark, unknowable, unwatchable past.Barrios made this era come to life. He writes in an engaging, witty style that is a pleasure to read. He never takes a superior tone to his material, and he makes the reader want to track down and see some of these films. (He also makes it clear that some are best avoided.) "A Song in the Dark" greatly deepened my understanding of the Hollywood musical, and I strongly recommend it.
Easily the best book on early musical film January 2, 2002 As the author of Musicals101.com, I have read countless books on the history of musical film, and none can match what Barrios has done here. He approaches the subject with genuine affection and a remarkable facility for detailed research. He also (thank heaven) writes with a delightfully readable style, avoiding the dry academic language that often makes studies of Hollywood's early sound era downright boring. No other book on this subject is nearly as informative or enjoyable -- for those who are interested in early screen musicals, I cannot recommend this book too highly!
Easily the best book on early musical film January 2, 2002 4 out of 4 found this review helpful
As the author of a popular website on the history of stage and screen musicals, I have read countless books on the musical film, and none can match what Barrios has done here. He approaches the mostly forgotten early sound era with genuine affection and a remarkable facility for detailed research. He also (thank heaven) writes with a delightfully readable style, avoiding the dry academic language that often makes studies of Hollywood's early sound era downright boring. Barrios includes a great selection of rare photos too. No other book on this subject is nearly as informative or enjoyable -- for those who are interested in early screen musicals, I cannot recommend this book too highly!
Showing reviews 1-5 of 12
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